from John Walsh’s 1705 collection of “Preludes and Voluntaries” for solo violin arranged by Sam Suggs for solo bass. Demonstrates the improvisatory “preluding” style of the Baroque era and exploits ringing harmonics. A great trumpet-like study for bassists looking to create more resonance in their Viennese works (pairs well with Dittersdorf concerto) or unlock new locations for playing harmonics. (2’, 1 page)